![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJZYx0hvfRIcJbbaw7kerHKyYnQE_prlTJ3CUqSRMEiVeQErAtEN16aAABL2Sl4PVw4byRhOaJXqIAD2Pi2CDNWcuULtplPUp7GqQtoNRxnBEF9AH-3T254yVLucZDd7y8t9pfpkazEYeL/s320/Lucifer+Pokemon.png)
This is a picture of a production of The fall of the Angels performed in Toronto 1998. The above is god's thrown, and below is hell's mouth. Fairly self explanitory...
http://www.public.iastate.edu/~gbetcher/373/Toronto2.htm
Medieval religious play which derives from liturgical drama, but differs in being wholly or partly in the vernacular and not chanted but spoken. Also it was performed out of doors—in front of the church, in the market square, or on perambulating pageants. The earlier English name for it was miracle play, now seldom used, and a better name would be Bible-histories, since each play was really a cycle of plays based on the Bible, from the Creation to the Second Coming. Substantial texts of English ‘cycles’ of such plays have survived from Chester, Coventry, Lincoln, Wakefield, and York. Simultaneously with the English mystery play there arose in Europe, in the vernacular, the French mystère, the German Mysterienspiel, the Italian sacra rappresentazione, and the Spanish auto sacramental, to name only the most important. Traces of similar plays are found in Russia, in the states of Central Europe, and also in Denmark.
This is Oxford's definition of the Mystery Play.
"Mystery Play" The Concise Oxford Companion to the Theatre. Ed. Phyllis Hartnoll and Peter Found. Oxford University Press, 1996. Oxford Reference Online. Oxford University Press. Northern Ireland Public Libraries. 18 November 2010 <http://www.oxfordreference.com/views/ENTRY.html?subview=Main&entry=t79.e2154>